Italian Mannerism What are characteristics of Italian Mannerism in sixteenth-century painting? In sculpture? In architecture? By the mid 1520?s, Italian art reached what some(prenominal) thusly believed to be its zenith. hotshot artists like Michelangelo, Rafael, and Titian, dominated, which left little to be change upon in the High Renaissance. Masters like these set to beguile what pervious generations set out to do. Combining beauty, harmony, and balance, these masters, as many had thought, level off surmounted the greatest accomplishments of Greek and Roman antiquities. forthwith a crisis had arisen in Renaissance art.
It seemed that the next generation of artist could do little more then mimic those prior, for unmatched cannot trespass perfection. Yet, there were those of this new generation who intended to do that that, if not in handling of human form, then in matters of inventions. What had been done before was to be carried to new levels by artists such as Parmigianino, Romano, and Bron...If you want to get a just essay, ordinance it on our website:
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